Tag: instrumental

  • Do You Think?

    This song is an exercise in trying to take the most boneheaded riff possible and make it sound more complicated than it really is. The main guitar figure is just two alternating barre chords (played in drop D for even more simplicity) but it doesn’t really sound that way since the harmony is implied by…

  • Never Feed After Midnight

    This track started out with just the rhythm part and then somehow turned into what I think it would sound like if Joe Satriani played lead guitar for Mogwai and everyone was a bit tipsy.

  • Left Hand Riot

    This is a mid-tempo rock track partly inspired by the tones I got out of the Neural DSP Mesa Boogie Mark IIc+ suite. The IIc+ is famous for being the Metallica Amp, but it’s also great for classic rock rhythm and lead sounds.

  • Cathedrals

    I’ve mentioned it a couple of times before, but as someone who was introduced to modern rock guitar by Joe Satriani’s The Extremist (before quickly discovering Surfing with the Alien and Flying in a Blue Dream), I’ve continued to have a huge affection for up-tempo instrumental rock tracks that are less about showing off, and…

  • Christmas at the Beach

    Christmas isn’t just about snow and wellington boots and a big roaring fire; in fact that only really applies in the Northern Hemisphere. This song was written after a rather nice Christmas Day spent working on my tan. As it turns out, warm, laid back, summery sounding guitars actually go surprisingly well with sleigh bells.

  • SOLAR SR1.6AMP – Demo

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    I bought the SR1.6AMP because I decided needed a six-string guitar with an Evertune bridge to make it easier to record clearer, more in-tune rhythm parts which would sit nicely in a mix with the synthesised instruments I use for orchestration. In particular, I wanted to try out the Fishman Fluence Modern pickups, since I’d…

  • My Good Nature

    This is another very Satch-esque track in the vein of something off “Unstoppable Momentum” or “What Happens Next”, with a bit of a twist in the form of an intro which channels the sort of guitar/bass tapping duet that Billy Sheehan is known for (with about 1/100th of the talent). This one is all about…

  • SHAKE 2

    This is the track which inspired the rest of the SHAKE project. I used my Ibanez ARZ in drop-D tuning for the rhythm parts and a mixture of the ARZ and my JEM for the leads. Plugins were ii ii ii ii by Otto Audio for the rhythm tracks, along with Parallax by Neural DSP…

  • Attack Angle

    If you look through the track listing for the average 90s FPS soundtrack you end up with a combination of slightly trying-too-hard-to-be-tough titles (“Kill Ratio”) and stuff which is obviously just the name of the level (“Big Gun”). To stick with the boom-shoot theme of the SHAKE project, I’m trying to go with song names…

  • Wishing Well

    One of the tracks in the SHAKE project. This is an attempt to replicate some of the magic of 90s FPS soundtracks, when everything was metal/industrial. Although everyone – rightly – loved Mick Gordon’s modern DOOM soundtracks, I’m even more of a fan of Sonic Mayhem‘s original Quake 2 OST. I’m sure it’s been done…